Artist: Artist: Van Halen
Title Of Album: The Clock That Went Backwards Again
Venue: Scottrade Center St. Louis - 4-29-2012
Year Of Release: April 29, 2012
Label: None
Genre: Classic Rock
Format: FLAC (HD Recorder > Hard Disc > dbpowerampV.14 > you)
Quality: Lossless
Total Time: 1 H 53 Min 28 Sec
Total Size: 258 MB
Title Of Album: The Clock That Went Backwards Again
Venue: Scottrade Center St. Louis - 4-29-2012
Year Of Release: April 29, 2012
Label: None
Genre: Classic Rock
Format: FLAC (HD Recorder > Hard Disc > dbpowerampV.14 > you)
Quality: Lossless
Total Time: 1 H 53 Min 28 Sec
Total Size: 258 MB
If The Show is coming to your town BUY TICKETS BEFORE THEY SELL OUT
Tracks:
01-Unchained
02-Runnin' With the Devil
03-She's the Woman
04-The Full Bug
05-Tattoo
06-Everybody Wants Some!
07-Somebody Get Me a Doctor
08-China Town
09-Hear About It Later
10-Oh, Pretty Woman
11-Alex's Drum Solo
12-You Really Got Me
13-The Trouble with Never
14-Dance the Night Away
15-I'll Wait
16-Hot For Teacher
17-Women in Love
18-Outta Love Again
19-Beautiful Girls
20-Ice Cream Man
21-Panama
22-Eddie's Guitar Solo - Eruption
23-Ain't Talkin' 'Bout Love
24-Jump
The Band:
Eddie Van Halen - Guitar, keyboards, vocals
Alex Van Halen - Drums, percussion, vocals
David Lee Roth - Vocals, guitar, harmonica, synthesizer
Wolfgang Van Halen - Bass, vocals
Notes:
Make no mistake: Despite his age, which he made light of at several points during the
show, Roth remains the ultimate showman. The energy was palpable between him and
master guitarist Eddie Van Halen, who looked equally thrilled to be sharing the stage and
gave no hint of any past disharmony as they delighted the crowd with a mix of their early
classics and cuts from their new album, “A Different Kind of Truth” – the band’s first
studio album with Roth since “1984.”
It’s can be no accident that the band, on its first tour since 2007-08 and following a fun-
filled set by Kool and the Gang, opened their two-plus hour show with “Unchained.” The
song states that “nothin’ stays the same,” and while this has been true to some extent,
it’s nice to see some things barely ever change.
Like Roth’s command of the stage, including his fun interaction with the band, and those
familiar moves that – while not quite as animated – still conjured memories of Van Halen’s
early days. The jumps off the stage platform have been replaced with high kicks, and he
doesn’t get quite as low on those splits (and holding his back, feigning pain in a little bit of
comic relief, and another time offering, “I look a little rough but I’m good to go.”) But
there was enough of the gyrating, crotch-grabbing, playful Roth that we could overlook
the more tame stage antics. And the slim Roth can still pull off the leather pants without
looking like an Elvis impersonator.
Or Eddie Van Halen’s command of the guitar, which drew the loudest reaction during a
solo featuring “Eruption” in which he left the crowd in awe of how he could cajole those
kinds of sounds from a common instrument while sitting on stage as if we were
entertaining the neighborhood kids on his front stoop. And those old classics such as
“Pretty Woman,” “You Really Got Me,” “Dance The Night Away” and “Beautiful Girls,”
delivered with that playful interplay between “Diamond Dave” and Eddie that left the
“older” folks in the crowd thinking they were back in high school.
Even their new songs brought a fresh reminder that this band is going back to its roots.
“She’s The Woman” features the hard-driving guitar and vocals that would have fit in
perfectly in the pre-Sammy Hagar (remember him?) era. Same with “Tattoo,” another
showcase for Roth’s iconic vocals and Eddie’s guitar skills, and a vehicle for Roth to
show some skin – even if it was just the tattoo of a gun on his right, um, posterior.
Change isn’t bad, though. While Michael Anthony is out as bassist, the new face is
Eddie’s 21-year-old son, Wolfgang, who didn’t share the joyful exuberance of his older
bandmates, but still represented, especially early on with his intro for “Runnin’ With The
Devil.”
If change is for the better, we learned that through a poignant story that Roth shared of
is love for ranching and his two herding dogs, Mikey and Benny. Sporting overalls and an
acoustic guitar over his shoulder, the backdrop video of the dogs in action was the
vehicle for Roth to share this passion before entering into a spirited rendition of the slow,
soulful “Ice Cream Man.”
That led to an encore of “Jump” and had virtually the entire arena on its feet, dancing
and singing along as the show ended with a bang – literally – with confetti falling from the
rafters and Roth waving a giant checkered flag as the band triumphantly crossed the
finish line.
01-Unchained
02-Runnin' With the Devil
03-She's the Woman
04-The Full Bug
05-Tattoo
06-Everybody Wants Some!
07-Somebody Get Me a Doctor
08-China Town
09-Hear About It Later
10-Oh, Pretty Woman
11-Alex's Drum Solo
12-You Really Got Me
13-The Trouble with Never
14-Dance the Night Away
15-I'll Wait
16-Hot For Teacher
17-Women in Love
18-Outta Love Again
19-Beautiful Girls
20-Ice Cream Man
21-Panama
22-Eddie's Guitar Solo - Eruption
23-Ain't Talkin' 'Bout Love
24-Jump
The Band:
Eddie Van Halen - Guitar, keyboards, vocals
Alex Van Halen - Drums, percussion, vocals
David Lee Roth - Vocals, guitar, harmonica, synthesizer
Wolfgang Van Halen - Bass, vocals
Notes:
Make no mistake: Despite his age, which he made light of at several points during the
show, Roth remains the ultimate showman. The energy was palpable between him and
master guitarist Eddie Van Halen, who looked equally thrilled to be sharing the stage and
gave no hint of any past disharmony as they delighted the crowd with a mix of their early
classics and cuts from their new album, “A Different Kind of Truth” – the band’s first
studio album with Roth since “1984.”
It’s can be no accident that the band, on its first tour since 2007-08 and following a fun-
filled set by Kool and the Gang, opened their two-plus hour show with “Unchained.” The
song states that “nothin’ stays the same,” and while this has been true to some extent,
it’s nice to see some things barely ever change.
Like Roth’s command of the stage, including his fun interaction with the band, and those
familiar moves that – while not quite as animated – still conjured memories of Van Halen’s
early days. The jumps off the stage platform have been replaced with high kicks, and he
doesn’t get quite as low on those splits (and holding his back, feigning pain in a little bit of
comic relief, and another time offering, “I look a little rough but I’m good to go.”) But
there was enough of the gyrating, crotch-grabbing, playful Roth that we could overlook
the more tame stage antics. And the slim Roth can still pull off the leather pants without
looking like an Elvis impersonator.
Or Eddie Van Halen’s command of the guitar, which drew the loudest reaction during a
solo featuring “Eruption” in which he left the crowd in awe of how he could cajole those
kinds of sounds from a common instrument while sitting on stage as if we were
entertaining the neighborhood kids on his front stoop. And those old classics such as
“Pretty Woman,” “You Really Got Me,” “Dance The Night Away” and “Beautiful Girls,”
delivered with that playful interplay between “Diamond Dave” and Eddie that left the
“older” folks in the crowd thinking they were back in high school.
Even their new songs brought a fresh reminder that this band is going back to its roots.
“She’s The Woman” features the hard-driving guitar and vocals that would have fit in
perfectly in the pre-Sammy Hagar (remember him?) era. Same with “Tattoo,” another
showcase for Roth’s iconic vocals and Eddie’s guitar skills, and a vehicle for Roth to
show some skin – even if it was just the tattoo of a gun on his right, um, posterior.
Change isn’t bad, though. While Michael Anthony is out as bassist, the new face is
Eddie’s 21-year-old son, Wolfgang, who didn’t share the joyful exuberance of his older
bandmates, but still represented, especially early on with his intro for “Runnin’ With The
Devil.”
If change is for the better, we learned that through a poignant story that Roth shared of
is love for ranching and his two herding dogs, Mikey and Benny. Sporting overalls and an
acoustic guitar over his shoulder, the backdrop video of the dogs in action was the
vehicle for Roth to share this passion before entering into a spirited rendition of the slow,
soulful “Ice Cream Man.”
That led to an encore of “Jump” and had virtually the entire arena on its feet, dancing
and singing along as the show ended with a bang – literally – with confetti falling from the
rafters and Roth waving a giant checkered flag as the band triumphantly crossed the
finish line.
THIS AND ALL OTHER RELEASES ARE MADE FOR FREE DISTRIBUTION, FOR THE FANS BY
THE FANS!! PLEASE KEEP THESE FILES INTACT AS I SPENT MANY HOURS MAKING
SURE THESE RELEASES ALL ARE COMPLETE! ALL OF MY RELEASES ARE RIPPED IN
FLAC (LOSSLESS) FORMAT. ALSO KEEP IN MIND THAT SOME OF THE RECORDINGS
WERE DONE ALMOST 50 YEARS AGO WITH EITHER OPEN MIC RECORDINGS OR
SOUNDBOARD RECORDINGS. THE DVD CONCERT SHOWS I HAVE GONE AND REMASTERED
ALL OF THEM AND MADE A ISO IMAGE. I RECORDED EVERY ONE I PUT UP, AND
MADE SURE THEY ALL WORK! BTW, the ROIO's (Recording of Illegitimate
Origin) exist, you can't make them vanish. So, why not let your fans get
them for free from one another. This way they can here the music and
BUY YOUR CONCERT TICKETS AND New Releases of your music, all we are
doing is free advertising for our favorite bands! Instead of having to
purchase them from commercial bootleggers on auction sites and paying
ungodly prices? THANK YOU FOR VISITING, ENJOY AND SPREAD THE WORD!!! I
AM ALSO IN THE PROCESS OF DOING COMPLETE HISTORY'S ON AS MANY BANDS AND
ARTISTS THAT I HAVE, SO COME BACK AND READ UP ON YOUR FAVORITE BAND!!!
ALSO PLEASE DO NOT PAY FOR ANY ROIO's OR BOOTLEG MEDIA!!! The original
labels say made for the fans by the fans and are NOT FOR SALE!!! The
commercial bootleggers remove this from what they SELL!!!
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